摘要
目前 ,在后现代主义小说如何使用戏拟 ,以及他们又是如何拓展传统互文法上 ,评论界尚未给予充分的关注。本文研究了博尔赫斯的个案 ,认为他不仅深刻拓展了戏拟的手法。而且创造、发明或排练了新的互文法 ,尤其是抄袭、假冒、假造等。本文主要分析。
This paper analyses and criticizes Jorge Luis Borges' creativity, invention and rehearsal of intertextuality in his novels. He practises his intertextuality in four ways: parody, plagiarism, pretence and counterfeit. Consequently, Borges develops the techniques of traditional intertext.
出处
《三峡大学学报(人文社会科学版)》
2002年第3期23-28,共6页
Journal of China Three Gorges University(Humanities & Social Sciences)