元代杂剧繁荣的戏剧“本位”阐释

On the Prosperity of Miscellaneous Drama of Yuan Dynasty from the Perspective of the Essence of Drama

历代论者大都从文学、作者、时代等角度来阐释元代杂剧繁荣的原因,而较为忽略杂剧的戏剧“本位”特征。以杂剧的表演艺术为视角,从接受者、创作者与导演者、表演者三个方面来阐释元代杂剧繁荣的原因,便能更为关注杂剧的戏剧“本位”特征。

Scholars have been exploring the causes for the prosperity of miscellaneous drama of Yuan Dynasty from the perspectives of literature, writer, and the times, ignoring the essence of drama. From the perspective of performance, the writer of this paper attempts to explore the causes for the prosperity of miscellaneous drama of Yuan Dynasty in terms of the receptor, composer and director, and performer.