摘要
由于地域的、历史的以及文化传承惯性与观念意识等方面的原因 ,包括民族艺术、民族美学在内的民族文化 ,在全球化的文化交流中 ,往往更容易出现种种文化落差 ,因而便更需要进行积极的探究与调适。一个民族的艺术 ,以至整个文化 ,只有它是可增长的 ,才可能是有生命力的 ;民族艺术的创新与发展 ,必须以美学品质的提高为标志 ,而要真正实现美学品质的提高 ,则必须以内在的文化积累与发展为依托。新的文化背景下的民族艺术 ,整体而言 。
As a result of the regional,historical,idealogy and inertia that culture is propagated and inherited and so on.With global culture exchange in a new era, all kinds of culture discrepancy will come out easily,including national art and national culture with its national aesthetice. So it need to be probed and adjusted. A national art with its whole culture, so far as I know, only it′s on the increase, maybe it has great vitality; The advancing and developing of national art must regard the improving of the aesthetical quality as sign, however to realize the improving of aesthetical quality, we must regard the accumulation and development of the interal culture as prop.In the final analysis, the pursuit of the national art in a new cultural background should be a new national indivduality with a lot of promotion factors.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2002年第2期68-72,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
文化全球化
民族艺术
美学追求
新的民族个性
cultural globalism
national art
aesthetical pursuit
new national individuality