摘要
中国古代山水画之所以把人物作点缀处理有其深厚的文化底蕴 :在哲学思想方面深受老庄哲学的影响 ,如此处理是自然人格的写照 ,是澄怀观道的图解 ,也是现实与理想无法统一的虚幻的占有 ;同时这也反映出古代艺术家对人与自然的认识 :天尊人卑、天人合一、天人感应、天人和谐。
The China's traditional landscape use character to intersperse has deep diathesis of culture:in philosophy side,it has a lot of infection of Laozi and Zhuangzi,it is the portraiture of the nature personality,use drawing to explain culture fashion which cleans heart and find rule and also is some appropriation of the shadow of a shade which is unable to unify between realism and dream.At the same time,it has reflected many opinions of such archaic artists to the people and nature:the heaven is exalted but human is lowliness;the heaven is syncretic with human;there have induces between heaven and human;and the heaven and human are so harmonious.
出处
《郑州轻工业学院学报(社会科学版)》
2002年第2期45-47,共3页
Journal of Zhengzhou University of Light Industry:Social Science Edition
关键词
山水画
人物
点缀
自然人格
澄怀观道
landscape
character
intersperse
natural personality
cleans heart and find rule