摘要
20世纪后期 ,朱光潜先生美学学术道路的变迁不只是美学观念层次的变迁 ,更重要的是美学研究方法与学术形态的变迁 :从心理美学转变为哲学美学 ,走上了与其前期美学正相反的自上而下的道路。这既是朱先生个人的学术误区 ,也是整个 2 0世纪中国美学的遗憾 !承续朱光潜先生的心理美学成果 ,化观念为方法 ,走科学美学之路 。
As one of the great masters in aesthetic China, Zhu Guangqian went on to the way toward philosophical aesthetics in the late 20th century, which is quite different from that he took in the first half of the same century. The way from the basic phenomena up to an ideological whole as he himself called it the psychoaesthetics. This was a change not only in ideological level of aesthetics, but also, even more important, in methodology and academic formation. This for Zhu would be an insufficient field which he put himself in, and for the Chinese aesthetics circle, a matter for regret. Zhu's psychological aesthetics remains at the level of “concept to concept”. Turn it be the concept coming from positive and experimental searchings is the only way for us to go torward the psychological science based aesthetics by use positive and experimental method.
出处
《南开学报(哲学社会科学版)》
CSSCI
北大核心
2002年第3期72-79,共8页
Nankai Journal:Philosophy,Literature and Social Science Edition
关键词
心理美学
哲学美学
科学美学
化观念为方法
Psychological Aesthetics
Philosophical Aesthetics
Science Based Aesthetics
Turn “Concept to Concept” to Concept Coming from Positive and Experimental Method