电影语言在贝克特剧作中的运用——从《最后一盘录音带》谈起

Montage Emploment in "Krapp's Last Tape

在《最后一盘录音带》中 ,剧作者贝克特采用了平行、交叉和复现等三种蒙太奇技巧 ,从而借助蒙太奇所特有的叙述功能和表现功能 ,实践“纯戏剧”和“反戏剧”的主旨 ,并且重新组织了人物语言 ,变革了时空结构 ,模糊了时空观念 ,以直观具体的舞台形象直喻了非理性的作品主题 ,使创作形式和创作内容达到了高度统一。

Samuel Beckett's drama is often characterized by a bizarre distorition of traditional drama.In his third play 'Krapp's Last Tape',by employing three montage techniques,Beckett disorganized character's diction,and concentrated more on the psychic time of the hero than on the physical one,which is the theoretical base of a rational world.As a result,Beckett achieved a high unity between the form and the subject and,expressed the apparent absurdity of human existence.