摘要
“赋”是中国文学创作中出现比较早的一种艺术手法,《诗经》的诗作中广泛使用了它。它作为“六义”之一自然会影响古代诗歌创作,过去已有许多人对它进行过探讨,但它对叙事文学创作的影响却很少人注意。赋在汉代发展成一种文体,它介于韵文与散文之间,它在叙事、写物甚至抒发感情时都充分体现了“赋”这一手法的特点,它对以后的叙事文体,如唐传奇的文体形式和风格以及俗赋、变文的叙事都产生了影响,而俗赋、变文等民间赋在文体上、语言上、描写技巧上又影响着宋以后的话本小说。
Fu is an artistic skill appeared long ago in the Chinese literature creation and was used more widely in the Book of Songs. It influenced the creation of ancient poetry as one of liuyi that many people have probed in the past, but few paid attention to the influence of fu in the narrative literature creation . In Han Dynasty fu develops to form a style between verse and prose ,which fully reflects its characters in narration, depiction and even giving expression and exerts a great influence to the narrative style afterwards. The folk fu also influenced script for story-telling after Song Dynasty in style, language and depiction skill.
出处
《西南民族学院学报(哲学社会科学版)》
北大核心
2002年第3期75-78,共4页
Journal of Southwest University for Nationalities(Philosophy and Social Sciences)