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秋瑾文体革新理论与实践考论 被引量:3

A Study of QIU Jing's Style-innovating Theory and Practice
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摘要 关于秋瑾与近代文学革新之关系 ,是一个尚未引起重视和得到发掘的重要问题。务实、尚俗、切用、崇外、求变、创新 ,共同体现出秋瑾文学革新的理论取向和写作态势 ,其中有关白话“演说”活动的倡导组织、理论建树和写作实践 ,尤具创新精神和文体意义。她的白话文创作在晚清白话文运动中具有典范性 ,并代表着近代散文发展的正确方向。秋瑾关于文体革新的理论和实践 。 The relationship between QIU Jing and the innovation in modern Chinese literature,is an important issue which has not yet aroused attention and been gone into.The orientation of QIU Jings innovative literary theory and her writing posture are characterized by qualities such as pragmatically inclining,fitting in with practical needs,worshiping foreign things,seeking to change,and innovating,especially taking on the advocating and organizing of activites of'making speeches'in the vernacular,her theoretic attainments and writing practice being of the new trails blazing spirit and style significance.Her creative writings in the vernacular stand out as an example in the Vernacular Movement in the late Qing Dynasty,and represent the correct orientation for the development in modern prose writing.QIU Jings style innovating theory and practice have a distinctive value and important position in the course of modernization of the Chinese prose writing.
作者 龚喜平
出处 《西北师大学报(社会科学版)》 北大核心 2002年第2期25-30,共6页 Journal of Northwest Normal University(Social Sciences)
基金 甘肃省哲学社会科学规划项目"中国诗歌近代化问题研究"系列论文
关键词 秋瑾 晚清白话文运动 演说 理论 创作 文体意义 QIU Jing the Vernacular Movement in the late Qing Dynasty theory and creation style significance
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  • 1引自狄葆贤《论文学上小说之位置》.
  • 2[8]梁启超《清代学术概论》.
  • 3《秋瑾集》,上海古籍出版社1979年新1版.
  • 4《柬徐寄尘》(其二).
  • 5《赠女弟子徐小淑和韵》.
  • 6《咏史》.
  • 7龚喜平.近代“歌体诗”初探[J].西北师大学报(社会科学版),1985,22(3):16-23. 被引量:10
  • 8[28]秋瑾《精卫石·序》.
  • 9《杂感》.
  • 10《尝试集初版自序》.

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