康德美学话语的人类学启示——古典美学断想

Inspiration of Kant's Aesthetical Language Related to Anthropology ——A view on classic aesthetics

康德美学思想是西方近代美学的转折点。以“主体”为核心的美学话语是对人之为人的哲学反思 ,对人类精神价值的终极性思辩 ,其中蕴涵着丰富的人类学意义。由此导引出费尔巴哈、舍勒等近现代思想家的哲学人类学话语 ,并成为西方现代、后现代思想话语的理论起点。在后现代文化语境中审视康德的美学话语 ,有助于当代人找到精神回归的重要途径。

Kant's thought on aesthetics establishes itself as the turning point in the history of the contemporary western aesthetics. The essence of Kant's aesthetical language which takes 'subject' (perceiver) as its core is the ultimate reflection on what is man and man's spiritual merit. Kant's language contains rich anthropological thought and becomes a theoretical derivation of the contemporary thinkers such as Feuerbach and Max Sheler's philosophical anthropology. Reflecting on Kant's aesthetics theory in the context of post-modernistic culture, we shall find an important way to return to man's spirit.