摘要
《汉宫秋》对“昭君和番”母题的突破和创新体现在三个方面 :把个人悲剧深化为时代悲剧 ;塑造了具有悲壮美和崇高感的王昭君的悲剧形象 ;把抒情诗的手法运用到戏剧中 ,使《汉宫秋》
The breakthrough and creation of Han Gong Qiu to the original theme of 'Zhao Jun He Fan' shows in 3 aspects:to deepen the individual tragedy into the tragedy of the times,to mould the trageic figure of WANG Zhao jun with her tragic beauty and lofty sense and to apply the expression of lyric poetry in the drama so as to give Han Gong Qiu a lyrical feature.
出处
《信阳师范学院学报（哲学社会科学版）》
2002年第2期66-69,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
《汉宫秋》
昭君和番
突破
创新
Zhao Jun He Fan'
Han Gong Qiu
break through and reform
