摘要
在近代诗坛,“同光体”诗派及诗人作品多为人所垢病,原因是多方面的。陈宝琛作为“同光体”闽派的扛鼎诗人,其《沧趣楼诗集》中裒集的近800首诗作,问津者少,论者盖鲜见。探讨前清遗老陈宝琛对民国和伪满的立场、态度以及诗作的审美价值是敏感而又必须面对的课题,它是总体评价陈宝琛诗歌作品思想艺术价值的关键。
In contemporary Chinese poetry, most of the poem written by those from the school of 'Tong-Guang-Ti' under the rein of Emperors Tong Zhi &Guang Xu respectively in the Tsing Dynasty are met with serious criticisms.But as a key figure of the school in Fujian Province at the time, CHEN's poetry collection named Cang Qu Lou comprising over 800 poems are seldom read or reviewed. It is acknowledged that to study CHEN's political attitudes or standpoint towards the Republic of China and the then false government of Man backed by Japanese invaders is a matter fairly sensitive and undoubtedly unavoidable. It is, however, a key to the overall evaluation of the ideology and art in CHEN's poetry.
出处
《漳州师范学院学报(哲学社会科学版)》
2002年第1期45-52,共8页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
关键词
陈宝琛
诗歌
思想
艺术
CHEN Baochen
poetry
evaluation