神女:质疑与认同——苏轼诗词中巫山神女题材和典故体现的文化心态及其哲学根源

Querying and Identifying Wushan Goddess ——the cultural Mindset and Philosophical Origin Embodied in the Theme and Allusion of Wushan Goddess in Shushis Poems and Ci

从“尽其自然之理”的哲学思想出发,苏轼在《巫山》一诗中对宋赋巫山神女故事的真实性提出质疑;从“天下之同安为善”的政治观念出发,苏轼在《神女庙》一诗中重塑巫山神女形象,用以体现他的社会理想;从“任性逍遥,随缘放旷“的人生态度出发,苏轼在其诗词中反复使用巫山神女典故,对宋赋神女故事的情爱内涵予以认同。这三者的矛盾统一构成苏轼诗词异彩纷呈的文学景观,表现了苏轼以张扬“性情”为特征的文化价格心态。

Form the start point of his philosophical idea of being in conformity to the nature, Shushi, in his poem of Wushan, queries the truth of the story of Wushan Goddess in Fu (a descriptive prose interspersed with verse)of the Song Dynasty. With his political conception as a start point, he remolds Wushan Goddess in his poem of Goddess Temple to show his social ideal. Form the start point of his life attitude of being free, bold and unconstrained, he repeatedly uses the Wushan Goddess, identifying the love connotation of the Goddess story in Fu of the Song Dynaty. The unification of these three conflicted aspects constitutes his colorful literary spectacle in his poems and Ci, and embodies his cultural personality featuring a disposition to make public.