摘要
鲁迅的《呐喊》《彷徨》以多样化的叙述视角、富有张力的结构体式、悲喜剧复杂交织的美学精神、深沉峻厚的文体风格和融合浪漫主义、现代主义的现实主义的创作方法开创了中国小说的新阶段,奠定了中国现代小说的基础。
Luxun's Nahan and Panghuang initiate a new phase of the Chinese novels and establish the foundation of modern Chinese novels with multiple narrative perspectives, flexible structure and style, aesthetic spirits of comedies and tragedies combined, profound style and the combination of realistic creation methods of romanticism and modernism
出处
《重庆三峡学院学报》
2002年第1期29-32,共4页
Journal of Chongqing Three Gorges University