摘要
通过介绍中国古代女性文学创作简况,指出中国古代女性文学创作存在着二度模仿现象和其创作过程显示出强烈的忧患意识。在其忧患意识的启示召引下,后来的中国近现代女性作家以创作的实绩打破了男性文化的封闭圈子,实现了文学生态场中男女生态的初步平衡。
The paper points out the twice imitation phenomenon of female literary creation through a brief introduction to female literary creation in ancient China and the great suffering consciousness in the literary creation. Influenced and inspired by such a consciousness, female writers in modern China have broken the male literary field in their actual creation achievements and kept the elementary balance between male and female writers in the ecological literary creation.
出处
《云南电大学报》
2002年第2期47-51,共5页
Journal of Yunnan Rty University
基金
海南省教育厅2002年科研资助项目(Hjsk200239)