摘要
20世纪30年代上海《现代》杂志以商业利润为目的,推行兼容并蓄的编辑方针,从而出现多种文学流派、文学样式共生的现象。本文结合时代背景,分析了产生这种现象的各种原因,并指出《现代》杂志的文学共生性在30年代现代文坛的意义。
In 1930S, aiming at commercial profit, Shanghai 'Modern 'magazine promoted the editing principle of 'taking in everything'. Therefore, there were various literature schools and styles in'Modern' Easing on the historical background, this paper analyses the reasons of this phenomenon, meanwhile, it points out the significance of the literature coexistence of 'Modern 'magazine on the literature stage in 1930s.
出处
《河北学刊》
2002年第3期101-104,共4页
Hebei Academic Journal
关键词
《现代》
文学
共生性
Modern
Literature
Coexistence
