“影”的生存状态与“梦”的现实影像——论《野草》艺术形式之二

A Second Consideration of the Art Form of Weeds

鲁迅散文诗集《野草》中有近一半的篇目是以梦的形式构思成篇的。这种形式既是鲁迅对所憎恶的社会现实的无奈的“技术”装饰上是对自我生存状态的曲折影射和艺术想像的创造,所谓“难于直说”的变形说法。对代表篇目《影的告别》中“梦”的丰富内涵和奇特意象作具体分析,能隐约窥视到鲁迅当时不堪困苦的内心世界、奋力抗争又自甘隐没的精神状貌和意志品质。

Almost half of prose poems in Weeds by Lu Xun have been conceived in the form of dream . This form is his vain artful decoration for the social reality Lu Xun dislikes as well as a reflection of his life and a creation of art imagination . It also serves as a variety of the way 'hard to speak out frankly ' . By anal-ysis the rich significance and strange image of the 'dream' in his work Farewell to Shadow , we can have a faint peep at Lu Xun s sad , resistant , yet self abandoned mental world and will qualification .