摘要
生态美学产生于后现代语境之下 ,同现代化所造成的环境恶化、核威胁等人类生存状态的恶化以及现代深层生态学的发展密切相关。它实际上是一种生态存在论美学观 ,对新时代美学观念的转向、文学批评视角的丰富、生态文学的发展以及我国传统生态智慧的发扬具有重要作用。生态美学的继续发展还要解决学科自身的建设以及正确对待“世界的返魅”、对现代性与科技的态度。
Emerging in the postmodernist context, ecological aesthetics is closely associated with the deteriation of the environment of human survival caused by worsening environment and nuclear threat and the development of profound ecology. In fact, it is an aesthetical view of ecological existentialism, which is of great importance to shifting the aesthetical perception in a new age, diversifying the view of literary criticism, developing ecological literature and carrying forward the traditional ecological intelligence of our nation. Moreover, ecological aesthetics will continue to develop to settle such essential issues as the construction of the discipline proper, a proper treatment of the 're-demonizing world', a reasonable attitude to modernity and science and technology and the relationship with practical aesthetics.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2002年第3期5-16,共12页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
生态美学
后现代语境
生态存在论美学观
生态批评
生态文学
ecological aesthetics
postmodernist context
aesthetical view of ecological existentialism
ecological criticism
ecological literature