摘要
中国伦理情节剧电影是在中西文化的交汇中,直接受到西方电影叙事方法的影响而不断发展的。“五四”前后,欧洲早期电影的唯美主义注重影片的艺术价值和电影画面造型的艺术表现力的美学观念和电影经验,丰富了伦理情节剧的表现手法,对中国伦理情节剧电影产生了影响;好莱坞情节剧强调叙事的戏剧性,拓展了叙事的空间和选择的可能。在叙事情节的安排上,其开端、发展、高潮和结局的线型结构、格里菲斯确立的平行叙述原则、体现紧张叙事节奏的“交叉蒙太奇”技巧,以及突出戏剧性效果的“最后一分钟营救”等叙事方法,都在中国伦理情节剧电影的叙事体系中得到了成功的借鉴。
In the process of intercommunication between Chinese culture and Western culture, the development ofChinese ethical situational movies is continually influenced by the narrating methods of western movies. During the periodof May 4th movement, the aestheticism conception of Wastern movies, which put much emphasis on the artistic value ofmovies and the expressive force of the images of movies, enriched the techniques of expression of Chinese ethical situation-al movies. Moreover, the conception of Hollywood movies of situation, which stressed the dramatic features of the narra-tion, broadened the scope and the choice of narration. Chinese ethical situational movies have employed several Westarn-narrating techniques in the arrangament of scenarios, such as linear structure, principle of parallel narration, technique of'intersecting montage', etc.
出处
《湖南大众传媒职业技术学院学报》
2002年第2期28-33,共6页
Journal of Hunan Mass Media Vocational and Technical College