从三种意境误读看意境的重构

A Look at Redefining of the Artistic Mood in Terms of Three Misconceptions

现代意境研究中的“情景交融”说、“艺术形象”说、“想象联想”说三种代表性观点 ,没有揭示出意境的特殊规定性 ,错把艺术的基本属性当作意境的本质特征 ,是对意境本质的误读。对意境范畴的重构 ,应克服反映论文学范式的局限 ,合理吸纳古代意境论的精华 ,明确意境自身的特殊规定性。所谓意境 ,就是艺术家用心灵构筑的灵性空间 ,它具有深广的人生历史蕴涵和宇宙生命意识 ,又有转实为虚、象外生象 ,给人以广泛联想与无穷韵味的审美特征 ,是艺术作品中超越时空、富有形而上意味的艺术境界。

In modern research into the artistic mood, the three viewpoints: Feeling and Setting Happily Blended, Artistic Image and Imagination and Association , are misconceptions of it because they mistake the basic property of art for the essence of the artistic mood and can't reveal special definition of the artistic mood. Redefining the artistic mood means eliminating limitation of the theory of reflection, absorbing the quintessence of ancient theory on the artistic mood, and then clarifying the special definition of it. The artistic mood is not only the artist's spiritual space, but also metaphysical artistic state, which has broad historical implications in life and world biological sense, the inexhaustible aesthetic features turning practice into abstraction and evoking readers' wide imaginations.