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自然全美:一个古老而全新的观念 被引量:8

Natural Perfection: an Ancient Term with Brand-new Concept
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摘要 自然全美是当代环境美学中一个重要的观念 ,意思是所有自然物在本质上具有全面的、肯定的审美价值。这种观念乍看起来令人奇怪 ,但事实上在历史上的不同阶段 ,在美学家、哲学家、诗人和艺术家那里 ,都可以找到这种观念的不同表现。对自然全美观念的认可 ,不仅会引起美学理论的变革 ,而且会促使伦理学和哲学基础理论作出相应的调整。 Natural perfection is an important concept in modern environmental aesthetics. It means that all natural objects have all-sided and positive aesthetic value in essence. Although the concept seems grotesque it was expressed by estheticians, philosophers, poets and artists in different historical phases. The recognition of the concept can not only give rise to innovation of aesthetic theory but also promote the adjustment in ethical theory and basic theory of philosophy.
作者 彭锋
机构地区 北京大学哲学系
出处 《南通师范学院学报(哲学社会科学版)》 2002年第1期112-117,共6页 Journal of Nantong Teachers College(Social Science Edition)
关键词 自然美 肯定美学 环境美学 庄子 natural perfection positive aesthetics environmental aesthetics Zhuang-zi
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  • 1[1]Allen Carlson, Aesthetics and the Environment: The appreciation of Nature, Art and Architecture, New York: Routledge,2000,p. 72.
  • 2[2]Eugene Hargrove, Foundations of Environmental Ethics,Englewood Cliffs, New Jersey: Prentic Hall, 1989, pp. 177.184.
  • 3[3]Stan Godlovitch, ‘Valuing Nature and the Autonomy of Natural Aesthetics', British Journal of Aethetics, Vol.38, No.2,April 1998.p. 190.
  • 4[4]吉尔伯特,库恩.美学史(上卷)[M].夏乾丰译,上海:上海译文出版社,1988.
  • 5[5]柯林武德.自然的观念[M].吴国盛等译,北京:华夏出版社,1990.
  • 6[7]参见Arthur Lovejoy, "‘ Nature' as Aesthetic Norm, "Modern Language Notes, 1927, Vol. 42, PP. 444 - 450.
  • 7[8]转引自Allen Carlson, Aesthetics and the Environement The appreciation of Nature, Art and Architecture, P. 72.
  • 8[9]转引自Ronald Rees,"John Constable and the Art of Geogarphy, "Geographical Review, 1976, vol. 66, P. 59.
  • 9[10]George Perkins Marsh, Man and Nature[ 1864], Cambridge: Harvard University Press, 1965, PP. 8 - 9.
  • 10[11]Willian Morris, Art and the Beauty of the Earth: A Lecture Delivered at Burslem Town Hall on October 13,1881, London:Longmans and Compny, 1898, P. 24.

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