摘要
以女性视角来解读晚明时期的《山歌》,其充满一种女权主义的隐喻,是在封建伦理式微前夕男权中心的退位及女权意识的崛起在民间的映证。
The article analyzes the folklore of shanGe in late Ming Dinesty fron female perspective. The Folk lore of shanGe is a metaphor to femalism and the reflection in the folk of the descant on the eve of degradation of feudal ethics.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2002年第1期105-107,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)