摘要
在关汉卿的《谢天香》和《金线池》杂剧中 ,无论是谢天香的聪明自卑还是杜蕊娘的心高气傲 ,也无论是钱大尹的工于心计还是石府尹的宽厚待人 ,或者是柳耆卿的呆头呆脑和韩辅臣的近乎耍赖 ,都是由他们的幽默喜剧性格所决定的 ,是纯粹的“这一个”(黑格尔语 )。作者对于这些尽管不无讽刺 ,但总体上则持肯定态度。剧中的幽默都是特有的、自然的、不可避免的 ,每个人的喜剧性格都不会有任何混淆之处 ,都在展示某种“恰当中的不恰当”,“和谐中的不和谐”。毫无疑问 。
In Xie Tianxiang and Jin Xianchi, the two poetic plays by Guan Hanqing,the characters' various behavior was decided by their humorous personalities. The humour in the two plays was unique,natureal and inevitable.Each character had his or her own comic personality,and each expression of humor was 'the unfitness in the fittingness' and 'the inharmony in the harmorny'.The development of the plot was the reflection of this humorous essence.
出处
《东南大学学报(哲学社会科学版)》
北大核心
2002年第3期160-164,共5页
Journal of Southeast University(Philosophy and Social Science)
基金
东南大学文科基金课题<中国戏曲史论>之一部分 (项目编号 92 5 0 0 812 3 4)。
关键词
关汉卿
《谢天香》
《金线池》
幽默喜剧
本质
Guan Hanqing
Xie Tianxiang
Jin Xianchi
comedy with a sense of humour
essence