摘要
“娜拉”出走后的沉浮遭际,构成了中国现代爱情喜剧的主要题材特色。文章在归纳了中国现代爱情喜剧的发展线索之后,从社会性别角度,透视了出走“娜拉”的诸多尴尬与无奈。
The ups and downs Nora experiences after leaving home constitute the main themes and characteristics of modern Chinese love comedies. Based on a general review of the development of modern Chinese love comedies, thes article analyses in depth the different ways in which Nora is embarrassed and entrapped after her departure from the point of view of the different social roles for both sexes.
出处
《抚州师专学报》
2002年第1期42-46,共5页
Journal of Fuzhou Teachers College
关键词
爱情喜剧
"娜拉"出走
性别
尴尬
love comedies
Nora's departure
sex
embarrassments