摘要
赵孟是中国美术史上争议颇多的一位大书画家 ,他在思想行动上呈现多重的矛盾性特征。
Zhao Meng Fu, a controversial artist in the history of chinese painting, showed multi sidedness in his ideas and practices. This paper is to analyze the internal ambivalence in his philosophy of painting art.
出处
《江苏教育学院学报(社会科学版)》
2002年第2期105-107,共3页
Journal of Jiangsu Institute of Education(Social Science)