期刊文献+

由驹子、陈白露形象比较川端康成与曹禺的悲剧意识

The Comparison in the Tragic Consciousness between Kawabata Yasunari and CaoYu in the Perspective of the Comparison in Literary Images between Juzi and Chen Bailu
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摘要 驹子、陈白露分别是川端康成、曹禺悲剧作品中具有代表性的女性形象 ,她们都倾注了作家对悲剧人物的挚爱 ,呈现出美的韵味 ,但是由于两位作家在对待人生、社会的态度 ,在对待“悲”与“美”的关系上存在着认识上的根本差别 ,从而使其悲剧有着不同的内涵 ,即 :川端康成是“既悲且美 ,悲美同在” ,曹禺是“因悲而美 ,悲美相映” Juzi and Chen Bailu are the representative female literary images created respectively by Kawabata Yasunari and CaoYu in their tragedies.The two writers poured their love for tragic characters in their writing, expressing the essence of beauty.However, clue to the difference in their attitudes toward life and society, there's a complete difference in their understanding of the relation between the 'tragicalness' and 'beautifulness',so the connotations of their tragedies are different, i e,the tragedies created by Kawabate Yasunari are the combination of 'beautifulnes' and 'tragicalness',whice Cao Yu's are to buile their'beautifulness' Upon 'tragicalness
作者 杨晓瑜
出处 《南都学坛(人文社会科学学刊)》 2002年第1期74-76,共3页
关键词 川端康成 曹禺 悲剧意识 Kawabata Yasunari Cao Yu the tragic consciousness 'tragicalncss' 'beautifulness
分类号 I-03 [文学]
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