摘要
文章对元和体这一概念从历时性的纵向角度作了较为细致的考察,将历史上对于元和体的解说归纳为元稹和白居易、唐李珏和李肇以及唐以后诸家的论述三个阶段,并论述了这三种说法的内在联系,即元和体的内在特征──新变。在此基础上,将元和体界定为:元和体是对唐宪宗元和年间普遍流行的,以新变为主要特征的元白、韩孟等多种诗歌创作倾向的一种概括。
The author discusses the concept “Yuanheti” in chronological way and comes to the conclusion that the internal feature of it is “new changing). Then he points out that this style is a generalization of many trends in the poetic writing in the Yuanhe Years of the Emperor Xianzun of the Tang Dynasty.
出处
《新疆师范大学学报(哲学社会科学版)》
2002年第2期65-71,共7页
Journal of Xinjiang Normal University(Philosophy and Social Sciences)
关键词
元和体
元稹
白居易
新变
Yuanhe style Yuansheng Bai Juyi new changing