摘要
本文比较了中西诗画论的异同 ,认为中国诗画论的主导倾向是诗画同源论 ,西方诗画论的主导倾向是诗画异质论 ;本文从中西哲学观念和思维方法、中西各自的诗画传统、中西诗画论产生的文化背景等三个方面 ,说明了其成因 ;
The article thinks the major trend of China poetry-painting theory is cognate and that of west's is heterogeneous, on the basis of comparing China-west poetry-painting theory. It interprets their causes from the three aspects: their diferent philosophy ideas and ways of thinking,their different poetry-painting tradition, and different cultural backgrounds. It at last sums up the significance and limitation of China-west poetry-painting theory.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2002年第3期132-138,共7页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
诗画论
文化基因
诗画同源
诗画异质
中国
西方
poetry-painting theory
cultural gene
poetry-painting cognation
poetry-painting heterogeneousneity