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中国古典美学与避暑山庄

Chinese Classical Aesthetics and the Arts of Gardening of the Summer Palace in Chengde City
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摘要 中国园林的发展演变,经历了由大变小的过程,这也是“自然天成” 的美学原则形成的过程。到了清代追求质朴自然成为时尚。康熙乾隆构建避暑山庄的万树园时,运用了因势造园的法则。在处理万树园与周围景观关系时,运用了虚实相生和自然过渡的方法,构筑了一幅天然的画图。 In the process of the development of Chinese gardening there have been the changes from big sizesto small sizes, which is virtually a process of forming the aesthetic principle of 'natural beauty'. In the timesof Qing Dynasty this taste of keeping gardens in a simple and natural way became a fashion. When EmperorKang xi and Emperor Qian long respectively constructed the Wanshuyuan Garden in the Summer Palace of Che-ngde, the principle of 'taking advantage of the natural geographic conditions' in building up the garden wasapplied. In dealing with the relations between Wanshuyuan Garden and its surrounding scenery a method ofmutual support of 'being hollow and being solid' was used to achieve the natural harmony, thus a natural scen-ery picture was naturally drawn.
作者 张德锤
出处 《燕山大学学报(哲学社会科学版)》 2002年第1期59-61,92,共4页 Journal of Yanshan University:Philosophy and Social Science
关键词 古典美学 避暑山庄 万树园 classical aesthetics the Summer Palace of Chengde, the Wanshuyuan Garden
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  • 1[1]金圣叹.金圣叹文集[M].成都:巴蜀出版社,1997.

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