摘要
曹禺剧作中存在着女性言说与男性叙述的冲撞。一方面 ,曹禺不仅使其笔下的女性拥有了一定的言说空间 ,还极力使她们成为文本的代言者 ,成为男性中心话语的有效解构者。另一方面 ,在女性言说的背景与缝隙处 ,曹禺又不期然地进行着鲜明的男性叙述 ,流露出作者对传统男权意识的承继。曹禺剧作中女性言说的凸显表明了作者追逐时代精神的自觉努力 。
There is conflict between female speech and male narration in Cao Yu's dramas. On the one hand, Cao Yu not only lets the women of his dramas have chance to speak, but also help them to become spokesmen of the text and the deconstructors of phallocentric discourse. On the other hand, on the background of the female speech, there is also male narration which reveals the influence of traditional male-chauvinism upon the author ideas. The former indicates Cao Yu's great efforts to pursue the spirit of the times while latter suggests the sedimentation of traditional culture.
出处
《长沙电力学院学报(社会科学版)》
2002年第2期89-91,共3页
Journal of Changsha University of Electric Power(Social Science)
关键词
曹禺剧作
女性言说
男性叙述
冲撞
Cao Yu's dramas
female speech
male narration
the confilict