现实观照下的严重缺失——安徒生童话在30年代初至建国前

Serious Insufficiency Reflected by Realistic Ideology--Andersen's Fairy Tales from the Early 1930s to before the Founding of PRC

三四十年代 ,安徒生不再是“五四”时被推崇备至的偶像 ,而是一个不合当下时代精神、需要被重新审视的对象。对安徒生童话的重新认识是时代语境变化的结果 ,是接受主体自觉“为人生”的艺术选择的结果 ,更是文化过滤的结果。

In the 1930-40s, Andersen was no longer an idol praised highly during 'the May 4th Movement', but a writer out of keeping with the spirit of the day and calling for re-examination. A fresh understanding of Andersen's fairy tales results from the change of epoch context, the acceptance of the artistic choice that the perceiver consciously 'serve life' and furthermore cultural filtration.