摘要
政治上改旗易帜后的俄罗斯文艺学抛弃了原先的思想理论基础。寻找新的精神支柱、重评苏联时期文坛人物与作品、填补空白成为研究热点。高校文学理论教材力图与西方文艺学和以往的俄罗斯美学思想接轨 ,出现了观点纷杂、时髦术语频繁更迭的状况。但在保持高校文艺学教材的稳定性与基础性 ,突出以作品研究为中心的文学性 ,以及对一些具体理论问题的阐释方面 ,也有积极的探索与突破 ,值得我国文学理论界参考和借鉴。
After the political conversion, Russian literary theory got rid of the old thought system. Searching for new spiritual prop, re-evaluating authors and works at the Soviet Russiatime, and supplying the gaps become the research hotspots.Teaching materials of literary theories in universities try hard to connect with western literary criticism as well as ancient Russian aesthetics thought. However new viewpoints appeare multiply, new glossaries change quickly. On the other hand, they have presered the stability and fundamentality of teaching materials, giveng prominence to text research, and elucidated many idiographic academic questions. Such researches and breakthoughs are highly recommended by our literary theoretical circle.
出处
《天津师范大学学报(社会科学版)》
CSSCI
2002年第2期54-58,共5页
Journal of Tianjin Normal University(Social Science)
基金
天津市"十五"社科研究规划课题 (5 3WJ33)
关键词
俄罗斯文艺学
现状
热点
争议
探索
Russian literary theory
actuality
hotspot
controversy
explore.