摘要
莱辛的《拉奥孔》,在经院式的刻板僵硬的形式主义文风占统治地位年代脱颖而出 ,他以生动的例证和富有激情的论战姿态批驳了“诗画一律”的传统理论 ,将诗学研究的中心从死板板的形式转向流变不居的生活。莱辛的理论 ,犹如“树上的果子”,充满了“鲜活的自然气息”。
G.E.Lesing's Laocoon shows the limits and functions poetry and painting.Through a contrast of the different types of art, it shows that the essence of poetry lies not in description, but in the representation of the transitory, of movement. It likes a kind of 'fruit on the tree' and sent forth wafts 'the active natural scent'.
出处
《河南师范大学学报(哲学社会科学版)》
北大核心
2002年第3期53-55,共3页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
莱辛
拉奥孔
诗与画
美学特征
Laocoon
poetry and painting
passion
the natural scent