摘要
诗乐套语是诗歌和音乐的共同源头 ,但诗歌的材料——语言是由语音和语义两部分组成的 ,因而诗歌和音乐的分离具有必然性。乐府的“采诗”行为是诗乐分离的契机之一 ;对于“文气”的自觉和四声的归纳 ,使得语言发现了自身的节律 ,诗歌文本脱离外在的曲调存在成为可能。对于永恒的追求 ,进一步成为诗歌摆脱音乐瞬间生灭这一宿命的契机 ,促使诗歌通过寂静抵达永恒。
The source of poem and music is oral phrase,but the material of poem is language,which is composed of sound and meaning.It is inevitable that poem language separates from music.The action of note poem(采诗)fuifilled by Yuefu(乐府) is one of turning points of the separation.The discovery of wenqi(文气)and induction of four tones (四声), make language discover the rhythm of itself.So it is possible for the poetic text to become independent.The pursuit of perpetuity makes poems permanent by means of silence.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2002年第3期138-144,共7页
Journal of Nanjing Normal University(Social Science Edition)
关键词
诗乐共生
乐府
文气
四声
origin of poem and music
Yuefu
Wenqi
Four tones.