摘要
小说《白鹿原》的创作以大胆探索、勇于实践的艺术拓进精神,于总体写实的基础上,将西方现代主义、后现代主义艺术要素渗透其中,把现实与超现实、理性与非理性、真实与梦幻组接一起、熔铸一炉,绘就一幅色彩繁复而特异的民族历史画卷。其象征主义、魔幻现实主义等艺术手法熟练而极富表现力的运用,使作品的主题得到深化,艺术魅力得到增强,也使读者充分领略作者“放开”了的“艺术视野”。
Chenzhongshi, with an art-progressive spirit which boldly encouringly probe and practice, infiltrated western modernism and post modernism's artistic elements into his white deer plain's creative mechanism, merged reality and transcend reality, rationality and irrationality, truth and dream into a organic whole, drew a nation's secret history picture with extraordinary and flouring color .The skillfully expressively utilization of the artistic technique of symbolism and magical realism in white deer plain deepened the theme, intensified the artistic charming, and also made our readers fully appreciate the writer's opened artistic field.
出处
《浙江海洋学院学报(人文科学版)》
2002年第2期24-27,共4页
Journal of Zhejiang Ocean University(Humane Science)
关键词
《白鹿原》
艺术创新
象征手法
魔幻现实主义
white deer plain
new idea of artistic creativeness
symbolic technique
magical realism