摘要
本文主要分析阿多诺对康德美学的具体消解 ,认为阿多诺从康德的传统范畴和命题中释放出新的真理性内容 。
An analysis is made chiefly on the specific work of Adorno,T W (1903-1969)in dispeling aesthetics of I kant(1724-1804).As believed by the author,Adorno released new content of truthfulness from kant′s traditional category and proposition,and thus accomplished historically transferred meaning.
出处
《华侨大学学报（哲学社会科学版）》
2002年第2期104-110,共7页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
阿多诺
康德美学
矛盾修辞
形式
崇高
历史的转义
T W Adorno
I Kant′s aesthetics
contradictory rhetoric
form
loftiness
hstorically transferred meaning
