曹禺戏剧中悲剧意识的建构

Construction of Tragic Consciousness in Cao Yu's Plays

曹禺的剧作在很大程度上改变了中国古典戏剧贯有的”大团圆”的人为结局 ,。他不满足于单纯地叙述悲剧情节和塑造悲剧性的人物形象 ,而是借鉴了西方美学思想和现代创作理念 ,以艺术的手法完成了对悲剧意识的建构。他设置了距离感来淡化悲剧发生的时间、空间 ,以加大悲剧的涵盖面 ,将现代主义表现手法和现实主义创作巧妙地结合 。

Cao Yu's plays changed, to a larger extent, the image of classic Chinese plays characteristic of having a comedy ending. He went beyond simply narrating plot or creating tragic characters and artistically constructed tragic consciousness by making use of the western aesthetic thinking and modern creation notion. He created a sense of distance to achieve the effect of no time and space seeming to be involved. As a result, the coverage of the tragedy extended. He also perfectly combined modernism and realism, and unified the audience or readers' sense and rationality.