摘要
室外雕塑已开始成为城市园林绿化、市政建设、旅游休闲的新亮点,室外雕塑与社会时代、与环境、与人的关系越来越紧密。室外雕塑以其特有的艺术语言,通过视觉形象移情于现众,极大地满足了观众的审美要求。
Indoor sculpture has already become a high attraction of city planting and gardening, government construction, travelling and relaxation. The art feature of indoor sculpture and its aesthetic function attract the public's attention magnetically. The relations between sculpture and human beings, sculpture and environment, sculpture and era are beyond the realm of art; sculpture is becoming an organic part of civilization and environment.
出处
《江汉大学学报(人文科学版)》
2002年第2期74-76,共3页
Journal of Wuhan Institute of Education