《金锁记》结构艺术探幽

Exploration to the Structural Art of The Story of a Golden Lock

《金锁记》在宏观结构上分为“故事前史”和“故事后史”两部分 ,两部分各有其独特的安排。“分家”和“斥泽”两场是小说的重大关节点。在微观结构层面具有如下主要艺术特点 :善于抓住人物精微的心理动作 ,制造情节和心理的波澜 ,使小说结构摇曳多姿 ,层次丰富 ,文势跌宕起伏 ;以大量“意境特写”连缀主要叙事单元 ,形成“叙事—特写—叙事”、“动—静—动”这样一种结构形态和运动形态 ;讲究“避让”原则 ,善于利用一些不起眼的小细节为大的情节单元的到来开辟道路。

According to its macroscopic structure, The Story of A Golden Lock can be divided into two parts, i.e., the forward story and the afterward story, whose structural arrangement is of peculiar features. The two scenes of Dividing up family property among children and Scolding Ze, are the important cruxes of the novel. In terms of its microscopic structure, the novel has the following main features:fluctuation of plot, jointing of artistic mood, suggestiveness of evading.