初期“西马”的美学思想

Aesthetic Ideas of the Early Western Marxism

从美学的角度将初期“西马”的三个代表卢卡奇、葛兰西、布莱希特作为一个整体来研究 ,卢卡奇的三大概念 (总体性、物化、阶级意识 )对整个“西马”的经典意义 ,葛兰西的“文化霸权”是对卢卡奇唤起阶级意识的具体化和深入化 ,而布莱希特的“陌生化”的史诗剧 ,一方面是文化霸权的艺术落实 ,另一方面又使卢卡奇的历史总体性与最新的文艺形式———现代派相一致 ,从而完成了初期“西马”

To treat G·Lukacs, A\5Gramsci and B. Brecht being the three representatives of the early Western marxism as an entirety, the author thought that Lukacs' three concepts are typically signficant to Western Marxism, that Gramsci's \!Cultural Supremacy' theory was an embodiment and deepened view, and that Brecht's thought and historic drama \!unfamiliarization' enabled both the cultural supremacy to get an artistic realization and the historic entirety to combine itself with the newest Style of modernist school. Based on these integration. the early Western Marxism procured the critical transformation on aesthetics.