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悲剧人生的喜剧审美——论六朝士人的生命自救形态

The Comedy Aesthetics of Tragic Life
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摘要 魏晋南北朝时代 ,是“中国政治上最混乱 ,社会上最痛苦的时代” ,魏晋人士不得不以痴狂的面目对抗现实 ,他们或静观人生 ,或玩笑人生 ,或表演自我 ,而在骨髓中却是一群真正的思考者 ,是一群严肃对待信仰的人 ,又是历史上第一批争取思想自由与个性独立的“反叛者”。他们推崇艺术的形而上学 ,赋于人生以一种审美价值 ,由此而超脱自身 ,玩味自身 ,以喜剧的态度面对悲剧的人生 ,在超越现实的基础上实现自我 。 The era in the Wei,Jin,North and South Dynasties was 'the most chaotic age in the Chinese politics and the most agonizing age in the society '.The scholar at that time had to confront the reality with a idiotic and crazy appearance.They soberly observed life, or played with life,or performed themselves.In fact they were a group of real thinkers,a group of people taking their beliefs seriously,and the first group of 'rebels' striving for freedom in thoughts and independence in persenalities.They admired metaphysics in arts,endowed their life with a kind of aesthetic value,surpassed themselves,faced the tragic life with the attitude of comedy,realized their own ideas on the base of surpassing the reality.
作者 杜薇
出处 《甘肃教育学院学报(社会科学版)》 2002年第3期47-50,共4页 Journal of Gansu Education College(Social Sciences)
关键词 生命 自救形态 魏晋南北朝 悲剧人生 喜剧审美 思考者 反叛者 士人阶层 Wei,Jin,North and South Dynasties tragic life comedy aesthetics thinkers rebels
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参考文献1

  • 1张隆溪译,朱光潜.悲剧心理学[M]人民文学出版社,1983.

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