杨万里与“诚斋体”——杨万里诗学述评

Yang Wanli and Chengzhai Style:Comments on Yang Wanli's Poetics

杨万里的诗学思想以对江西诗学的修正标志着宋代诗学的转型。他的诗学观包括了触物感兴、悟入活法、味外之味三个方面,他力图从自然万象中汲取灵感,创造出一种轻清活泼而又趣味隽永的新的诗风,被称为“诚斋体”。这种诗体虽对江西体有所突破与变革,但仍与之有内在的联系,本质上仍是“内圣”人格的一种表现。他对江西诗法,尤其是它的句法论,也多所继承,故后人仍目之为江西派诗人。

Yang Wan li's poetics, which includes the revision of Jiangxi poetical school, marks the transformation of the poetics of the Song Dynasty. His poetical theories cover three aspects: response to nature, intuition and active methods, taste above the text. He attempts to derive inspirations from nature and create a new poetic style called ' Chengzhai Style, which is brisk, interesting, and meaningful. This poetic style is still internally related to Jiangxi style, although the former breaks through and changes the latter. In essence, Yang's style manifests the personality of 'a new virtue'. Furthermore, he has inherited much of the Jiangxi Poetics, particularly its syntax theories. For these reasons, he is still viewed as a poet of the Jiangxi poetical school.