苏轼的综合论及综合研究苏轼

A Synthetical Study on Su Shi

苏轼研究如欲有所突破 ,就必须从“全能”、“通才”的视角来观察和探索苏轼 ,要改变当前单纯以诗论诗、以画论画等偏执一隅的狭隘做法 ,走向综合交叉研究的康庄大道。因为苏轼本身就是艺术综合论者 ,他的“体兼众妙”、“兼百技”及“诗中有画画中有诗”等著名论断 ,阐明了他鲜明的综合融通的艺术观点 ;而“通其意”的创发理论 ,更丰富了他多技巧多风格融通创变的创造性实践。研究者不仅宜具备诸种艺术科学知识和多项创作技巧的修养 ,还应具有综合交叉、兼通互融的辩证思维能力 ,才能深层次、多角度地发现其诗画书法叠印复加的精湛技艺 ,研究他心灵中将各种艺术文化要素实行有意义的综合所产生的无比浑厚。

To achieve a breakthrough in Su Shi studies, we must approach from the 'all around' and 'versatile' perspectives. To change the current practice of discussing poetry merely for the sake of discussing poetry and paintings merely for the sake of paintings, we should turn to a comprehensive and intercrossing approach. Su Shi himself is a supporter of artistic integration, and his famous sayings like 'learning widely form others strong points', 'being versatile' and 'integrating poetry with painting' well explain his clear cut artistic views on artistic integration. And his original theory further enriches his multi style and multi technique creation. Researchers should not only possess various artistic knowledge and creation skills, but also possess comprehensive and integrated dialectical thinking ability so as to discover the superb skills of Su Shis poetry and paintings.