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伦敦:不可知的城市 被引量:1

THE UNKNOWN CITY OF LONDON
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摘要 如何理解像伦敦这样的城市?本文将亨利·勒菲弗(Henri Lefebvre)的思想与《不可知的城市》[1]中的实例结合,用以分析研究各种各样的城市问题:如作为社会产物的空间、体现记忆中的具有时代特征的历史建筑、社会特征(如性别、阶级、种族划分和性等)、对城市的切身经历、对资本社会和统治阶级特权的反抗以及所表达的建筑和艺术形式。伦敦这一城市所显示的是一个建造过程,包括博物馆、商业中心、纪念性建筑、酒吧、临时的艺术品和住宅等,以及其中各种各样的空间活动。通过这种分析,我们可以说对伦敦的理解不仅仅是包含一系列的有限的物质,而是还涉及一些不断进化的和可能的未知的领域。 How does one know a city likeLondon? In this essay, the ideas of Henri Lefebvreare combined with examples from The UnknownCity to explore such diverse issues as: the socialproduction of space; the historical constructionof time through memory, memorialisation,psychoanalysis and secrecy; matters of socialidentity such as gender, class, ethnicity andsexuality; bodily experience of the city and itsresistance to dominant powers of capitalism andpatriarchy; and architectural and other artisticforms of representation. The city of London isshown to be a constructed from a diverse rangeof architectures from museums, malls andmonuments to bars, provisional artworks andhouses, as well as from an equally diverse rangeof spatial practices, from anti-road protests andprostitution to skateboarding and politicalmobilisation. From this analysis, London emergesnot as a finite set of knowable objects, but as anever-evolving and unknowable field ofpossibilities.
出处 《世界建筑》 北大核心 2002年第6期24-29,共6页 World Architecture
关键词 建筑艺术 城市建筑 城市空间 伦敦 London, Space, Time, Memory,Lefebvre, Architecture
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  • 1The Unknown City. Borden. Rendell Kerr and Pivaro eds. MIT. 2001
  • 2Carl Schorske. The Idea of the City in European Thought," In Oscar Handlin and John Burchard (eds,).《历史学家与城市 The Historian and the City》, (Cambridge.Mass.: MIT, 1963).
  • 3Henri Lefebvre. The Production of Space.Oxford: Blackwell, 1991
  • 4Iain Borden, Joe Kerr, Jane Rendell with Allcla Pivaro (eds.). The Unknown City: Contesting Architecture and Social Space, (Cambridge,Mass,: MIT, forthcoming). A similar treatment of Macao occurs in lain Borden“Contesting the Unknown City of Macao,”Dialogue: Archlfecture + Design + Culture, (Tatwon), n.30 (October 1999).
  • 5Edward W. Soja, Postmodem Geographies:the Reassertion of Space In Critical ,Social theory,(London'. Verso,1989), pp, 7,5-93.
  • 6Joe Kerr,“The Uncompleted Monument:London, War, and the Architecture of Remembrance,”The Unknown City, pp. 69 -89,
  • 7Steve Pile, “The Un(known) City … or, an Urban Geography of What Lies Buried Beneath the Surface,”The Unknown City, pp. 262-79.
  • 8Adrian Forty,“The Royal Festival Hall - a ‘Democratic' Space?,”The Unknown City, pp.200-11
  • 9Patrick Wright,“The Last Days of London”and “Around the World in Three Hundred Yards,”The Unknown City, pp. 476 -503.
  • 10Patrick Wright, A Journey Through Ruins: a Keyhole Portrait of British Postwar Life and Culture,(London: Flamingo, 1993).

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