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审美反映的定位之解析——与郁沅先生就《感应美学》的艺术反映论问题商榷 被引量:1

Explanation to the Orientation of Aesthetic Reflection——Deliberate with Mr Yu Yuan over the Theory of Artistic Reflection in the Book Aesthetics of Response
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摘要 新时期以来 ,我国文艺美学界对艺术反映论的探讨主要有两种不同的解决办法 :一是用审美感应论、形象思维论等代替艺术反映论 ;一是从马克思主义哲学反映论推导审美反映论或到马克思主义经典著作中寻找能够替代艺术反映论的概念范畴如艺术生产论、审美中介论、艺术掌握论等等。这两种探讨都取得了很大的成效 ,也还存在着不够完善的地方。审美感应论是否包容了审美反映论 ,后者是否只是审美感应中的物本感应 ,是否可以取代审美反映论。这些都直接牵涉到艺术美的本质问题解答 ,如果对马克思主义能动反映论仅作狭隘的理解 ,不可避免地在审美反映论与审美感应论二者关系问题的认识上 。 Over since the new period, there have existed two solutions to the discussion of the theory of art reflection in the field of aesthetics of art and literature. The first is to substitute the Aesthetic response theory and the theory of Image-thinking for the theory of Art reflection. The second is to deduce the theory of Aesthetic reflection through the reflection theory of Marxism philosophy or to seek the concept category of the theory of art reflection such as the theory of art work, theory of Aesthetic medium, theory of artistic mastery from the classical works of Marxism. The above two have gained great achievement, however there is still much room for improvement--whether the theory of Aesthetic response can contain or substitute for the theory of Aesthetic reflection and whether the latter is only the object-response in aesthetic response. These are all involved in solution to the vital problems of art beauty. If there is only narrow understanding of the active reflection theory of Marxism, it's impossible to avoid one-sided viewpoints toward reflection problem between the theory of Aesthetic reflection and the theory of Aesthetic response.
出处 《襄樊学院学报》 2002年第4期62-67,共6页 Journal of Xiangfan University
关键词 郁沅 《感应美学》 能动反映论 艺术反映论 审美反映论 审美感应论 审美反映 定位 Reflection theory Active reflection theory Artistic reflection theory Aesthetic reflection theory Theory of aesthetic response.
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