摘要
在鲁迅小说中 ,配角的群体性存在构成一道独特的人文景观。这个配角群体在主人公的悲剧展现过程中 ,起到了提供背景、渲染气氛的作用 ,使作品的主题得到更深层次的开掘 ;从接受美学的角度看 ,配角群体对读者的期待视野构成一种反叛 ,将读者的审美注意中心从主人公转向更广泛、更普遍的社会群体 ,使作品主题意义进一步得到扩展和提升。
This paper indicates that the existence of the group attribution of costars composed an uniqueliterate vision in Lu Xun's novels. In the process of presenting dramatis person's tragedy in Lu Xun's novels, the costars furnished the background and built the atmosphere , which deepened and extended the theme of Lu's works. From the point of view of the receptive esthetics, the group of costars revolted to the extent of reader's expectation, leading the reader's esthetic attention from the dramatis personae to the more universal and more prevalent mass. In this way, the themes of Lu's works were further broaden and upgraded .
出处
《襄樊学院学报》
2002年第3期54-57,共4页
Journal of Xiangfan University