摘要
从艺术传播的视角探讨艺术传播者的占位策略,分析其文化场的入场资格、身份转型、角色拓展与地位确立,也许可以为解读丰子恺的艺术成才和发展轨迹提供某种新的思路。
This paper intends to explore an artist's strategy for occupancy, conduct an analysis into his qualification for entering into cultural field, the transition of his status, the development of his role and the establishment of his position in art creation from the angle of artistic communication. Perhaps this measure will be helpful for us to have a clear understanding of Feng Zi - kuai's life as a master of art.
出处
《上海大学学报(社会科学版)》
CSSCI
2002年第4期18-23,共6页
Journal of Shanghai University(Social Sciences Edition)