摘要
山西上党地区有着独特的戏曲人文传统 ,其戏曲艺人大体分为乐户艺人和上党梆子艺人两类 ,分别负责供撰演出和搬演大戏。他们职司有异 ,传统不一 ,敬奉的行业神也不尽相同。乐户艺术人崇祀的行业神主要有咽喉神、白眉神和律音祖师 ,而上党梆子艺人主要崇祀老郎神、没大小老爷。由于年湮日久 ,当地关于戏神的传说产生了种种误解 ,这种现象对于我们全面而准确地解读上党地区戏曲文化的深厚传统和独特内涵非常不利。本文在田野调查的基础上 ,对上党戏神作了初步的分类研究 。
There are distinctive human studies of traditional operas in Shangdang Shanxi. The actors are divided into two groups, and the God they believed in are likely the same. As the years went by, the legends about God in the local region have given rise to misunderstanding. This phenomenon is not good to acquire a widely precise presentation of the traditional operas culture completely this region. The article makes the preliminary analysis of God and differentiate the reasons of misunderstanding and correct it on the base of field investigation.
出处
《山西师大学报(社会科学版)》
北大核心
2002年第3期24-28,共5页
Journal of Shanxi Normal University(Social Science Edition)
基金
山西师范大学科研基金资助项目
关键词
山西
上党
类型
上党地区
乐户艺人
梆子艺人
戏神
神灵体系
Shangdang
specialized actors of traditional operas
actors of local traditional operas
types of God of traditional operas