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外师造化 中得心源——试论中国绘画的意境

Regarding Nature as One's Teacher Outside and Thinking Spirit as One's Origin Inside --Discussing Chinese Painting's Artistic Conception
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摘要 :“外师造化 ,中得心源”是对中国画意境的精辟概括 ,要创立意境 ,表达意境 ,必须处理好形与意、尚意与创意、意境和想象的关系 ,即做到意与形的统一、尚意与创意的统一 ,意境与想象的辨证统一。做到三者的辨证统一便能领略绘画天人合一的诗情画境。 The essentials of Chinese Paintings regard nature as one's teacher outside and look upon spirit as one's origin inside. Only by doing well with the relationship between form and content, artistic conception and imagination,can we create and express the Chinese Paintings'realm.That is to say,if we find out the unification of form and content,artistic conception and imagination,we can comprehend the unification of nature and human beings in our chinese paintings.
作者 周燕弟
出处 《连云港师范高等专科学校学报》 2001年第3期43-45,共3页 Journal of Lianyungang Normal College
关键词 中国绘画 意境 尚意 创意 想象 artistic conception form advocating the realm creating the realm imagination
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  • 1(清)石 涛著,刘长久校.石涛画谱[M]四川美术出版社,1987.

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