卞之琳前期诗歌意象的美学特征

On the aesthetic feature of Bian Zhilin's poetic image in his early stage

卞之琳前期的诗歌意象多取材自日常生活、古典文学、自然科技及宗教典籍 ,这与他的诗歌创作三大主题 :生命存在的困惑、精神皈依的寻求及人与理性的和谐相对应。他遵循艾略特的“客观对应物”、“非个性化”的诗学理论 ,通过戏剧化、小说化等手法完成了意象与主题的智性组合 ,在抒情主体与诗歌意象之间产生一种距离之美 ,自觉消解抒情主体的中心地位 。

Bian Zhilin's poetic images in his early stage mainly derives from daily life, classical literature, natural science and religious works. They correspond with three themes in his poetry: puzzlement over life and existence, exploration of spirit's home and pursuit of harmony between people and reason. Following Eliot's poetic ideal-objective corresponding matter and non personalization, he manages to connect image with themes in the aid of reasonable artistic tactics such as dramatization and fictionalization, meanwhile, he makes distance beauty between the lyric subject and poetic image, eliminating the subject's centric position to make his poetic images possess dense mocking significance and aesthetic feature of strangeness.