明杂剧鄙俗一派论略

On the Vulgarized School of the Ming Dynasty Operas

在明代杂剧剧坛普遍盛行的比风附雅的风气之下 ,杂剧创作中“骚雅”一流成为剧坛主流。 然而 ,“鄙俗”一派并未销声匿迹 ,他们通过“有意为俗”的苦心经营 ,构建了风趣谐谑的艺术世界 。

The school of elegance become the main stream of the Ming Dynasty operas due to the convention of grace.Nevetheless,the vulgarized school doesn′t vanish but forms an artistic humorous style by the 'intentional vulgarization' and is well accepted by common people